Forgive me if you have heard of this free resource before, but I was ignorant of it until today.
www.openlibrary.org
Please go check it out. I am reading a novel by Monica Heath, Falconlough, (I love her work and can find so few of her novels unless I want to pay a lot or horde paperbacks) and have found many other gothic romance writers' novels on this site; I think I am going to be busy for a while! These are in e-book format, but you can also find them in a local library if they have them. I am reading mine on my computer in .pdf in short clips. The loans are two week ones.
What bliss! Let me know how you like Open Library. :)
Monday, March 11, 2013
Thursday, February 28, 2013
Gothic Ladies and House of Cards
Welcome friendly gal and Gothic author Juli D. Revezzo to the blog! She is going to share a bit about her historical gothic story, House of Cards and share a bit about herself, too. :)
Lisa asked me to speak with you today
on my gothic story, House of Cards. When I was in college, I studied
art history and when I first began, I had a mild interest in the
artists of the 19th century. I adored Renoir and was
particularly intrigued with the story of a somewhat forgotten French
sculptress named Camille Claudel who lived around the turn of the
last century. I’d caught the movie on cable that year and fell so
in love I went out and bought the videotape and watched it …oh,
about a billion times. I even tracked down a biography of her. In
short, Camille was once the assistant to Rodin, became his lover, and
poor thing, lost her marbles when he finally tossed her aside. (You
can read a longer bio on her here).
I’d been writing at the time, as
well, and my first finished novel was set during that time period.
Was it any good? Well, I haven’t heard any complaints from the dust
mites under my desk. *innocent look*
But I digress… If we jump up to just
a few years ago, I found a small dark fantasy and horror zine for
which I decided to attempt a tale. I guess somewhere my subconscious
caught up with me because the first thing I decided to do was to set
this story, what became House of Cards, in the midst of the
opening days of the French Revolution. Now you might not see how that
ties together, since Mademoiselle Claudel was active in the late
1800s, but believe me, it ties in for to me it’s to her that I owe
this delving back into the French setting.
So, I put my main character in carriage
on his way out of Dodge because his family faced the Guillotine. He
doesn’t quite make it to safety, however, but finds himself facing
a very different horror than the one from which he escaped. A horror
built by a ghastly set of characters, most notably a mischievous
“Hanged woman”, in a dark and horrid place. The woman gives him a
mystery to solve if he’s to keep his head on his shoulders, and his
life heading to a better place.
Maybe in a way that is a bit
like Camille, poor thing, who ended up forever lost and languishing
in an insane asylum. At least until the art historians found her.
Add a dash of the macabre and supernatural (which, by the way we
could say that’s influenced by Mary Shelley, who is also another
Gothic lady I love), and a nod to Mademoiselle Claudel’s sometimes
tortured clay and bronze figures (see her pieces Deep
Thought, or the Beseecher)—now
can you see the connection between her influence and my story
House of Cards? Well, the French Gothic setting and is one I so
love, I plan to revisit these characters again.
In the meantime, I hope you’ll give
House of Cards a try, and the next time you see something in
the paper about a gallery showing of French art, maybe you’ll
think of this little known, but fantastic artist and give her a
little “hail” in the Otherworld. :)
Interested to see how this story plays out? Here’s the synopsis for House of Cards:
You can't escape Fate....
A young nobleman flees the bloody Reign of Terror, France, to find himself dragged into a demonic underworld. An evil hag tortures him during a horrific trial in which he must rely on his wits. Can he thwart his horrible fate, one far worse than the guillotine? Will his knowledge of the Occult and his familiarity with tarot help him survive this ordeal--or seal his doom?
A young nobleman flees the bloody Reign of Terror, France, to find himself dragged into a demonic underworld. An evil hag tortures him during a horrific trial in which he must rely on his wits. Can he thwart his horrible fate, one far worse than the guillotine? Will his knowledge of the Occult and his familiarity with tarot help him survive this ordeal--or seal his doom?
If you’d like to try the story it’s
available at in ebook format from Amazon,
Barnes
and Noble, and Smashwords.
More on Camille Claudel
About Juli D. Revezzo
Juli D. Revezzo is a Florida girl, with a love of fantasy, science
fiction, and Arthurian legend, so much so she gained a B.A. in
English and American Literature. She loves writing stories with
fantastical elements whether it be a full-on fantasy, or a story set
in this world–slightly askew. She has been published in short form
in Eternal
Haunted Summer, Dark Things
II: Cat Crimes (a charity anthology for cat related charities),
Luna Station Quarterly, The
Scribing Ibis: An Anthology of Pagan Fiction in Honor of Thoth,
and Twisted Dreams Magazine. She recently released her debut novel,
The Artist’s Inheritance.
She also has an article and book review or two out there. But her
heart lies in the storytelling. She is a member of the Independent
Author Network and the Magic
Appreciation Tour.
Should you like to learn more about this and future releases you can
find Juli at:
Website: http://julidrevezzo.com
LibraryThing:
http://www.librarything.com/profile/julidrevezzo
Manic Readers:
http://www.manicreaders.com/JuliDRevezzo/
Twitter: @julidrevezzo
Thanks for having me here today, Lisa!
Monday, February 4, 2013
Welcome Gothic Romance Writer Amber Newberry!
I'm so happy to welcome gothic romance writer Amber Newberry to the blog today! She has a wonderful post about her writing and a great giveaway. I am also in love with the cover art for Walls of Ash. Please post your entries to the contest below this post. If you have too much trouble doing that, you can post your comments on the Facebook page, too
.
Take it away, Amber! :)
What
draws us toward the danger and mystery of a gothic romance? We begin
reading a Victoria Holt or Mary Stewart or Phyllis A. Whitney novel
expecting great suspense and a love story that may very well not have a
resolve until the final pages. We go into these gothic adventures
knowing that we will experience a certain amount of fear and at the same
time, a flutter of our hearts when the heroine first meets a man she
both loves and despises for his arrogance or one who must be saved from
the depths of darkness. We are the gothic romance readers, we choose
our books based on the ‘woman running from house’ cover art and the
cover blurb which usually reads something like, ‘...the secret will
destroy her, or save her...’ or ‘only the bounds of love can save
him...’ It is a grand and faithful tradition that we devote ourselves
to for the rest of our lives. We read our first gothic at 13 or 30 or
55 and no matter who we are, this under-appreciated genre is with us
from then on.
For
some of us, the obsession is a hobby and for others, a way of life. My
obsession began as a young teen, having completed too many books for my
age-group too quickly, my mother suggested I started reading at a
higher level. My mother reads like it’s her day job and I remember
hundreds of trips to the used book store, flea markets and thrift stores
to search for our next great adventures. We had recently stocked up on
teen books for me, I was in the sixth grade and finishing a book a day
and when my mom realized there was no challenge in the ‘Babysitter’s Club’
books and that I’d already swept through Avonlea and Narnia, she knew
that something had to be done. I was yearning for something new and I
wanted something historical, so we went through the many shelves my
mother kept around the house. They were absolutely stuffed with books,
magnificent fantasies and alternate realities and stories of space and
time. She handed me book after book that I declined or showed little
interest in until she handed me a tan hard-cover book that smelled musty
and had a layer of dust across the top.
“The Pride of the Peacock”,
I read aloud. There was no book jacket and the letters were in an
ominous dark brown font with the name ‘Victoria Holt’ below it. My mom
stopped there and said that it was the one she’d been looking for. She
gave me a brief synopsis and I stopped her at the mention of Australia
and was reading for the rest of the day. My mother was shocked that I
finished it within 48 hours but then gave me another Holt book called,
“The Spring of the Tiger” and by this time, I was ready to give over my
life to the genre and I suppose you could say that I did. That was when
I began collecting gothics and when the creative energy began to stir
within me that I needed to write my own stories of great houses with
secrets so horrifying and intriguing that they spurred the main
character into running out into the mist to get away from the darkness
dwelling within those walls. Sadly, it would be over a decade before I
began writing novels seriously and I have only recently achieved my
goal.
They
say ‘don’t quit your day job’, but in a moment of either clarity or
insanity I quit my job just before a trip to Ireland where I unwound and
began to live my life for me again instead of the so-called ‘man’. I
kept a travel journal for the trip and when I arrived home began
blogging of my experiences, but the creative release in writing was
overwhelming and no poetry or short stories seemed to relieve the need.
There was an idea building in my head and I sat down one May morning
and began to write ‘Walls of Ash’ a story that stretched out into a
novel over the course of ten very long days. I woke up, wrote from 7am
till 2am, skipping meals and forgetting about the outside world. I wore
my pajamas all day and lived off of coffee. I spent 10 glorious days
living within the walls of Rhineholt House, oblivious to what went on
around me. My dreams were filled with the images on the pages I wrote
and I had to get the story out before the inspiration left me. When I
wrote the final words on the very last page, I breathed a sigh of
relief, enjoyed the achievement and began writing the next story before I
even started the long editing and rewriting process that took a good
six months with the help of a very dear friend.
So,
for me, the gothic romance genre has become a way of life that was
shared by few around me. I was thrilled to discover the Gothicked
community where like-minded people went to bask in the joy of intrigue
and mystery. I’ve had such fun reading Lisa’s reviews and the posts. I
was excited when Lisa opened the blog up for guest-posts and she agreed
to allow me to host a giveaway. We have two print copies available for
you, dear friends, to win! With much thought on how to host the
contest, I’ve decided to ask you all what your first gothic read was and
why it drove you into the madness of continuing to read these stories
of darkness and love. Give the book title and the author’s name and a
short reason why it made you continue reading gothics in the comment
section below. The winners will be chosen in two week’s time and
notified right away.
For
those of you who would like to begin reading ‘Walls of Ash’ right away,
it is a great time to take the plunge as it is on sale at .99 for a
limited time. You can get it for Kindle, Nook or Kobo or for any of the
aforementioned apps on your iPad or iPhone. I have posted the synopsis
and a cover photo below, as well as a link to the book on Goodreads.
The first few chapters are available to read for free in the “sample”
option on Amazon. I thank you for taking the time to read about my
obsession with my favorite genre and wish you luck in the contest!
Walls of Ash, A New Gothic Romance That Echoes The Style of A Forgotten Genre
Tamsin
Rhineholt is a stubborn and unconventional daughter of Rhineholt House.
In a time when young women were bred to wed and follow orders, she
finds herself faced with decisions that could lead her into the arms of
love, or into danger. With the discovery of harrowing family secrets,
Tamsin’s sweet dreams of her mother become dark, terrifying nightmares,
warning her of the terrible things to come.
This homage to the gothic greats breathes new life into a forgotten genre that has been too long left in the cold. Walls of Ash takes a refreshing look at the gothic romance.
Amber
Newberry is a musician and writer who grew up in the South but later
migrated to New England. With a variety of creative interests, writing
became a hobby that was generally focused toward lyrics and poetry
until she recently developed an itch to write a novel. With a flare for
the macabre, Amber has made her home in Salem, MA with her very own
bard and their three cats.
Monday, January 28, 2013
Happy New Year a Bit Late/Kindle E-book Giveaway
Hello, lovely people. :) It has been a while since I've posted, but I have been reading like crazy so far this year. Right now, I'm reading Susanna Kearsley's The Rose Garden and enjoying it, though I wouldn't call it gothic romance. So far, it's a solid time travel/romantic suspense novel.
I also picked up a nice handful of gothic romances at a Friends of the Library sale and am working my way through those slowly.
Expect some guest blogs and such in the coming months and some quickie reviews. Today, I thought I'd do a giveaway of a free Kindle e-book in the gothic romance/rom suspense genre (up to $7.99). :) If you win, just let me know which book you want, and I'll gift it to you. If you don't read on Kindle, we'll work out another prize.
More contests are coming your way this year as well. To enter this one, simply post here or on my Facebook page where this post is about how your year is going so far or share this on Facebook/tweet it and let me know you did. My 2013 is going pretty well with writing and life in general and, hopefully, my blogging will pick up as well. ;)
The contest for the free e-book will end Feb. 2nd at 12am.
Thanks! ~Lisa
I also picked up a nice handful of gothic romances at a Friends of the Library sale and am working my way through those slowly.
Expect some guest blogs and such in the coming months and some quickie reviews. Today, I thought I'd do a giveaway of a free Kindle e-book in the gothic romance/rom suspense genre (up to $7.99). :) If you win, just let me know which book you want, and I'll gift it to you. If you don't read on Kindle, we'll work out another prize.
More contests are coming your way this year as well. To enter this one, simply post here or on my Facebook page where this post is about how your year is going so far or share this on Facebook/tweet it and let me know you did. My 2013 is going pretty well with writing and life in general and, hopefully, my blogging will pick up as well. ;)
The contest for the free e-book will end Feb. 2nd at 12am.
Thanks! ~Lisa
Friday, November 9, 2012
Interview with the Man of Mystery: Tom Savage
Tom Savage joins us today at Gothicked Blog for a long anticipated interview. I am beyond thrilled to have found Tom and to have had the chance to ask him some questions about his writing. Read on to the end for a fabulous contest to win a copy of one of his books, too. Tom is the author of some of my favorite gothic romances/suspenses and thrillers. Today, his novels Valentine and Precipice are out in e-book format! The rest of his amazing backlist of books is on the way. I'm honored to have gotten a chance to talk with Tom, and I think you'll find this interview enlightening.
1. What was your path to publication?
I majored in drama in college, and I minored in English. My late mother was an actress, and I started out as an actor, which I did professionally for a while after college. But I grew frustrated with constant auditions and rejections, so I sat down with some friends and wrote a musical, which ended up on Broadway for about 5 minutes. Big flop, and sooo expensive! So I decided to write a novel, because I could do that all by myself, and if it flopped, nobody lost a million bucks, right? I wrote a detective story called DANCE OF THE MONGOOSE, set in my hometown, St. Thomas, VI, and went out to find an agent. No luck--all the agents I approached said the book wasn't "commercial" enough. By this time, I lived in NYC and worked at Murder Ink, the late mystery bookstore, so I looked around the shop to see what was selling. Romantic Gothic suspense thrillers were selling, so I sat down and wrote PRECIPICE in order to attract an agent, and it worked. I immediately found an agent for it, and he called me 2 weeks later and told me that 6 publishers wanted it! There was going to be an auction, but one of the houses made a preemptive offer of a two-book deal, and I took it. That's how I published my first novel. (PS: The success of PRECIPICE led to another publisher immediately taking that detective novel nobody wanted, so that got published, too.)
2. Tell us a bit about what inspired you to write Precipice and The Inheritance, specifically. I enjoyed Valentine as well, but many of the fans of Gothicked like the first two novels I mentioned because of their gothic romance elements.
PRECIPICE was inspired by my need to attract agents and publishers (see above). I decided to write a big Gothic-style thriller, and I read a few by authors I like: Mary Higgins Clark, Robert Goddard, Minette Walters, Thomas H. Cook, Ruth Rendell. I particularly love Rendell's "Barbara Vine" novels--A DARK-ADAPTED EYE and THE HOUSE OF STAIRS are just about the zenith of modern Gothic suspense, along with Minette Walters's THE ICE HOUSE. I also remembered writers from my youth (see below), especially Phyllis Whitney, who visited St. Thomas and wrote a book that is set there, COLUMBELLA, which was a direct inspiration for PRECIPICE (a young woman comes to St. Thomas as au pair for a rich family, and all hell breaks loose). And, of course, my all-time fave author is Daphne du Maurier. I thought about all these authors, and I came up with...
TOM'S LIST OF 10 THINGS YOU NEED IN A GOTHIC ROMANTIC THRILLER
1) a girl
2) a big house
3) an exotic locale for the big house (with occasional bad weather)
4) mysterious and/or frightened relatives and servants (one of whom is usually insane)
5) an old family secret (OFS)
6) an elderly relative/servant who tells the girl about the OFS (and then usually dies)
7) a new murder plot that is directly related to the OFS
8) ominous documents (wills, letters, newspapers, diaries) pertaining to the OFS
9) one precocious child with a cute pet (usually a dog)
10) two sexy men (one good/one bad), or one sexy man who is both (The JANE EYRE/REBECCA Syndrome)
I used that list for both novels, with very different results. I actually had a longer list at first, but I pruned it--I left out ancient curses and secret passageways, among other things.
THE INHERITANCE was directly inspired by another classic novel, THE IVY TREE by Mary Stewart. I read that when I was about 16, and I was totally blown away by the (justifiably famous) surprise ending. I immediately read the book again, just to see how the heck Mary Stewart did it. After PRECIPICE and VALENTINE, I decided it was time to fulfill my secret fantasy--to write The Gothic To End All Gothics. (One lovely critic actually called it that in his review.) I hubristically decided that I was going to top THE IVY TREE, and I knew just how to do it. I don't want to give anything away to people who haven't read it yet, so I'll only say I thought up an ending for a romantic suspense mystery that I, personally, had never seen. Then it became a writing exercise--could I actually do what I wanted to do? Would I get away with it, or would the whole thing fall apart before I finished? Well, the result was published, for better or worse. It's no IVY TREE (what is?), but I'm very proud of it.
3. Were you impacted in your writing or craft by any authors in the Gothic or gothic romance genres?
Absolutely. I always liked reading, but I was 15 when I really first heard the call. I got a bad case of flu, laid up in bed for 2 weeks. I couldn't go to school (Yay!), but I had to read this book for English class, GREAT EXPECTATIONS (Boo!). So, out of sheer boredom, I started reading it, and pow! I absolutely fell into that book. That old house, and the crazy old lady in her wedding gown, and the hero's lifelong love for the girl who treated him so badly, and that creepy convict who ended up being his benefactor. Loved it. I didn't want it to end, but it did, and I asked my sister what I should read next. She handed me REBECCA by Daphne du Maurier. By the time I got out of that sickbed, I knew I wanted to write someday, and it was those two books that did it.
4. Do you have any comments on the future or present state of the Gothic or gothic romance genres?
My favorite recent Gothics are actually psychological suspense novels with Gothic elements: Minette Walters, Ruth Rendell/Barbara Vine, Morag Joss, Laura Lippman, and a wonderful detective novel by S. J. Rozan called THE SHANGHAI MOON, which was partly inspired by THE MOONSTONE (the "Shanghai Moon" is a fabulous, cursed jewel that brings death to all who try to possess it). I also loved THE THIRTEENTH TALE by Diane Setterfield, THE HOUSE AT RIVERTON by Kate Morton, IN THE WOODS by Tana French, and THE POISON TREE by Erin Kelly. And I'll read anything by the marvelous husband/wife team that writes under the name Nicci French. I'll tell you what I don't like: there are a lot of recent so-called "fem-jep" suspense novels that are basically serial killer books. The "fem" is often a professional detective or cop or medical examiner or whatever, and there's way too much sex and violence and language and general nastiness. I've had my fill of all that. I'm no prude (I'm the guy who wrote VALENTINE and SCAVENGER, after all), but enough already! I also have no use for paranormal romance, but that's just me. I haven't read any of these series with sexy vampires and sexy werewolves and something called a shape shifter, so I can't comment, but I suppose they're Gothic, too. I leave them to the people who enjoy them.
The future of the Gothic romance genre might depend on more writers going back to the basics that first made the genre popular, and studying the enduring authors of the form: Poe, Hawthorne, Dickens, Wilkie Collins, the Brontës, du Maurier, Stewart, Whitney, Clark, Elizabeth Peters. And let's not forget Margaret Millar, Victoria Holt, Charlotte Armstrong, Anya Seton, Joy Fielding, Linda Howard, Jayne Ann Krentz. I don't remember any of those authors giving us a jaded rich guy playing tie-me-up-and-spank-me with a shy--and apparently mentally challenged--co-ed. And yet the current #1 bestseller I'm referring to has been described by critics as a "Gothic romance novel." I sincerely hope that is not the future of Gothic romance.
5. How did your birth and years in the Virgin Islands inform your writing?
I wasn't born there; I was 9 when I arrived there. I was born in New York. I grew up in a reading home. My mom and my older sister, Suzy, were voracious readers of mystery and suspense novels. Because we were on a small tropical island, the only books that got all the way down from the mainland USA to the local bookshop were the big--I mean BIG--New York Times bestsellers. At that time (1960s and '70s) the biggest mystery and suspense writers were Agatha Christie, John D. MacDonald, Ross MacDonald, Helen MacInnes, Erle Stanley Gardner, Mary Stewart, Alistair MacLean, Phyllis Whitney, Robert Ludlum, and Daphne du Maurier. My family read them, so when I started seriously reading (after the flu episode), that's what I found in the house. I minored in English in college, and I've read all the "usual" important authors and classics, but mystery was always my genre. When I started writing, that's what I wrote. And the Virgin Islands were the place I knew best, so I've put them in several of my novels.
6. How did working at Murder Ink, the New York City bookstore you mentioned in previous interviews, play into your role as a writer?
I was working there when I started writing, and I made many friends and contacts there--agents, publishers, but mostly authors. They all came in for readings and signings, and I got to know many of them. Then I joined the Mystery Writers of America and the International Association of Crime Writers. To this day, many of my writing inspirations are mystery writers I first met at Murder Ink.
7. What is the most difficult thing for you about writing/plotting a novel? You have been praised for the plot twists in your work. I'm thinking of Precipice, in particular. Are these twists hard to formulate?
The most difficult thing about writing is writing. I'm not being facetious--there's nothing tougher than getting "the seat of the pants in the seat of the chair." Computers help a lot. I wrote my first 2 novels in longhand on yellow legal pads, which I then had to transfer to a Smith-Corona portable electric typewriter (remember those?), so the Computer Age did not arrive a moment too soon for me.
I imagine a person, then I put that person in a situation. After that, the rest of the story usually follows. The "twists," as you call them, are my starting point. I love all kinds of mysteries, but my all-time faves are the ones with surprise endings. With my first 2 novels, DANCE OF THE MONGOOSE and PRECIPICE, I started with the central character (a troubled detective in one, a troubled young woman in the other), and St. Thomas (the only place I knew well enough to write about), and a surprise (the identity of the murderer in MONGOOSE and the identity of the young woman in PRECIPICE). The twists weren't hard to formulate, but getting to those twists was a bitch. I mean, the plot that gets us from page 1 to that surprise ending. For me, that's the hard part.
8. What are you working on now?
I have a manuscript making the rounds of publishers, and I'm writing a new novel. They're both romantic suspense thrillers with surprise endings. I also write short stories occasionally--I just had one in the March/April 2012 issue of Ellery Queen Mystery Magazine.
9. I understand you have a pen name. If you don't mind, could you share a bit about that?
I wrote 2 detective novels, DANCE OF THE MONGOOSE and its sequel, WOMAN IN THE DARK. My first publisher had just put out PRECIPICE and VALENTINE, and they asked me to put a pseudonym on the detective stories for my second publisher so there wouldn't be confusion in the marketplace. I initialized my first and middle names (Thomas Joseph) and added my actual birth surname (Savage is my mother's maiden name--looong story). That's how I became "T. J. Phillips," but it was only for those 2 books.
10. You are something of an enigma to your fans. Many thought you had "dropped off the map" when they tried to find out more about what you were writing these days. They've missed you, and that led to this interview. If you don't mind my asking, were you still actively writing during the last few years, or did other pursuits take up your time?
I'm glad people have missed me, I'm very grateful for that. Yes, I've been writing, but no, I wasn't publishing. I had a string of misfortunes that led me to retire from the world for a few years. I lost my mom in 2003 (old age), then my sister Suzy a year later (breast cancer). Meanwhile, Murder Ink, where I'd been working for almost 20 years, was struggling to survive against a B&N superstore that moved in down the street and a landlord who kept raising the rent. We lost the battle in 2006, closing our doors forever, so I was out of a day job. Then my original agent and I parted ways after 15 years. And that's all in addition to some personal stuff I'd rather not talk about, except to sing a rousing chorus of "I'll Never Fall In Love Again." So for a while, I sat around my apartment in a bathrobe, writing but not publishing. Then some writer friends here in NYC dragged me out of my house and forced me to join their writing group.They wouldn't take no for an answer, and I found that I liked the company. But if I wanted to hang out with them, I had to read something to them, which meant I had to write something. So, I wrote some more. I now have 5 novels (all Gothic suspense thrillers) sitting in my computer, and I have a new agent.
11. What's next for you?
Getting those 5 new novels out of my computer and into print. That's the plan, anyway. It's a very tough market out there right now, but my new agent is doing her best, and I live in hope. And I'm preparing my backlist titles for their e-book debuts, so PRECIPICE, VALENTINE, THE INHERITANCE, and SCAVENGER should soon be available as downloads.
12. When you're not plotting your next mystery/suspense, what other hobbies do you enjoy?
My writing group, my Friday Night Club (a gang that gets together every week for dinner and Trivial Pursuit), reading mysteries (I'm currently in the middle of STAY CLOSE by my friend Harlan Coben, and I just reread THE SNARE OF THE HUNTER by Helen MacInnes), and my big passion, collecting DVDs of my favorite films (I now own the complete works of Alfred Hitchcock).
13. How can fans contact you?
http://tomsavagebooks.com/
A Facebook page is forthcoming, too.
Tom's books on Amazon (they are also at other retailers):
http://www.amazon.com/Precipice-ebook/dp/B00A3KHPSC/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1352471826&sr=1-1
http://www.amazon.com/Valentine-ebook/dp/B00A2SZ2V2/ref=sr_1_2?s=digital-text&ie=UTF8&qid=1352485584&sr=1-2
**If you'd like to win an e-book copy of either Precipice or Valentine, leave a comment in the post or share it on Twitter or Facebook and let me know you did! I'll enter you once for each comment or share. The contest ends November 20th at 11:59 PM CST.
1. What was your path to publication?
I majored in drama in college, and I minored in English. My late mother was an actress, and I started out as an actor, which I did professionally for a while after college. But I grew frustrated with constant auditions and rejections, so I sat down with some friends and wrote a musical, which ended up on Broadway for about 5 minutes. Big flop, and sooo expensive! So I decided to write a novel, because I could do that all by myself, and if it flopped, nobody lost a million bucks, right? I wrote a detective story called DANCE OF THE MONGOOSE, set in my hometown, St. Thomas, VI, and went out to find an agent. No luck--all the agents I approached said the book wasn't "commercial" enough. By this time, I lived in NYC and worked at Murder Ink, the late mystery bookstore, so I looked around the shop to see what was selling. Romantic Gothic suspense thrillers were selling, so I sat down and wrote PRECIPICE in order to attract an agent, and it worked. I immediately found an agent for it, and he called me 2 weeks later and told me that 6 publishers wanted it! There was going to be an auction, but one of the houses made a preemptive offer of a two-book deal, and I took it. That's how I published my first novel. (PS: The success of PRECIPICE led to another publisher immediately taking that detective novel nobody wanted, so that got published, too.)
2. Tell us a bit about what inspired you to write Precipice and The Inheritance, specifically. I enjoyed Valentine as well, but many of the fans of Gothicked like the first two novels I mentioned because of their gothic romance elements.
PRECIPICE was inspired by my need to attract agents and publishers (see above). I decided to write a big Gothic-style thriller, and I read a few by authors I like: Mary Higgins Clark, Robert Goddard, Minette Walters, Thomas H. Cook, Ruth Rendell. I particularly love Rendell's "Barbara Vine" novels--A DARK-ADAPTED EYE and THE HOUSE OF STAIRS are just about the zenith of modern Gothic suspense, along with Minette Walters's THE ICE HOUSE. I also remembered writers from my youth (see below), especially Phyllis Whitney, who visited St. Thomas and wrote a book that is set there, COLUMBELLA, which was a direct inspiration for PRECIPICE (a young woman comes to St. Thomas as au pair for a rich family, and all hell breaks loose). And, of course, my all-time fave author is Daphne du Maurier. I thought about all these authors, and I came up with...
TOM'S LIST OF 10 THINGS YOU NEED IN A GOTHIC ROMANTIC THRILLER
1) a girl
2) a big house
3) an exotic locale for the big house (with occasional bad weather)
4) mysterious and/or frightened relatives and servants (one of whom is usually insane)
5) an old family secret (OFS)
6) an elderly relative/servant who tells the girl about the OFS (and then usually dies)
7) a new murder plot that is directly related to the OFS
8) ominous documents (wills, letters, newspapers, diaries) pertaining to the OFS
9) one precocious child with a cute pet (usually a dog)
10) two sexy men (one good/one bad), or one sexy man who is both (The JANE EYRE/REBECCA Syndrome)
I used that list for both novels, with very different results. I actually had a longer list at first, but I pruned it--I left out ancient curses and secret passageways, among other things.
THE INHERITANCE was directly inspired by another classic novel, THE IVY TREE by Mary Stewart. I read that when I was about 16, and I was totally blown away by the (justifiably famous) surprise ending. I immediately read the book again, just to see how the heck Mary Stewart did it. After PRECIPICE and VALENTINE, I decided it was time to fulfill my secret fantasy--to write The Gothic To End All Gothics. (One lovely critic actually called it that in his review.) I hubristically decided that I was going to top THE IVY TREE, and I knew just how to do it. I don't want to give anything away to people who haven't read it yet, so I'll only say I thought up an ending for a romantic suspense mystery that I, personally, had never seen. Then it became a writing exercise--could I actually do what I wanted to do? Would I get away with it, or would the whole thing fall apart before I finished? Well, the result was published, for better or worse. It's no IVY TREE (what is?), but I'm very proud of it.
3. Were you impacted in your writing or craft by any authors in the Gothic or gothic romance genres?
Absolutely. I always liked reading, but I was 15 when I really first heard the call. I got a bad case of flu, laid up in bed for 2 weeks. I couldn't go to school (Yay!), but I had to read this book for English class, GREAT EXPECTATIONS (Boo!). So, out of sheer boredom, I started reading it, and pow! I absolutely fell into that book. That old house, and the crazy old lady in her wedding gown, and the hero's lifelong love for the girl who treated him so badly, and that creepy convict who ended up being his benefactor. Loved it. I didn't want it to end, but it did, and I asked my sister what I should read next. She handed me REBECCA by Daphne du Maurier. By the time I got out of that sickbed, I knew I wanted to write someday, and it was those two books that did it.
4. Do you have any comments on the future or present state of the Gothic or gothic romance genres?
My favorite recent Gothics are actually psychological suspense novels with Gothic elements: Minette Walters, Ruth Rendell/Barbara Vine, Morag Joss, Laura Lippman, and a wonderful detective novel by S. J. Rozan called THE SHANGHAI MOON, which was partly inspired by THE MOONSTONE (the "Shanghai Moon" is a fabulous, cursed jewel that brings death to all who try to possess it). I also loved THE THIRTEENTH TALE by Diane Setterfield, THE HOUSE AT RIVERTON by Kate Morton, IN THE WOODS by Tana French, and THE POISON TREE by Erin Kelly. And I'll read anything by the marvelous husband/wife team that writes under the name Nicci French. I'll tell you what I don't like: there are a lot of recent so-called "fem-jep" suspense novels that are basically serial killer books. The "fem" is often a professional detective or cop or medical examiner or whatever, and there's way too much sex and violence and language and general nastiness. I've had my fill of all that. I'm no prude (I'm the guy who wrote VALENTINE and SCAVENGER, after all), but enough already! I also have no use for paranormal romance, but that's just me. I haven't read any of these series with sexy vampires and sexy werewolves and something called a shape shifter, so I can't comment, but I suppose they're Gothic, too. I leave them to the people who enjoy them.
The future of the Gothic romance genre might depend on more writers going back to the basics that first made the genre popular, and studying the enduring authors of the form: Poe, Hawthorne, Dickens, Wilkie Collins, the Brontës, du Maurier, Stewart, Whitney, Clark, Elizabeth Peters. And let's not forget Margaret Millar, Victoria Holt, Charlotte Armstrong, Anya Seton, Joy Fielding, Linda Howard, Jayne Ann Krentz. I don't remember any of those authors giving us a jaded rich guy playing tie-me-up-and-spank-me with a shy--and apparently mentally challenged--co-ed. And yet the current #1 bestseller I'm referring to has been described by critics as a "Gothic romance novel." I sincerely hope that is not the future of Gothic romance.
5. How did your birth and years in the Virgin Islands inform your writing?
I wasn't born there; I was 9 when I arrived there. I was born in New York. I grew up in a reading home. My mom and my older sister, Suzy, were voracious readers of mystery and suspense novels. Because we were on a small tropical island, the only books that got all the way down from the mainland USA to the local bookshop were the big--I mean BIG--New York Times bestsellers. At that time (1960s and '70s) the biggest mystery and suspense writers were Agatha Christie, John D. MacDonald, Ross MacDonald, Helen MacInnes, Erle Stanley Gardner, Mary Stewart, Alistair MacLean, Phyllis Whitney, Robert Ludlum, and Daphne du Maurier. My family read them, so when I started seriously reading (after the flu episode), that's what I found in the house. I minored in English in college, and I've read all the "usual" important authors and classics, but mystery was always my genre. When I started writing, that's what I wrote. And the Virgin Islands were the place I knew best, so I've put them in several of my novels.
6. How did working at Murder Ink, the New York City bookstore you mentioned in previous interviews, play into your role as a writer?
I was working there when I started writing, and I made many friends and contacts there--agents, publishers, but mostly authors. They all came in for readings and signings, and I got to know many of them. Then I joined the Mystery Writers of America and the International Association of Crime Writers. To this day, many of my writing inspirations are mystery writers I first met at Murder Ink.
7. What is the most difficult thing for you about writing/plotting a novel? You have been praised for the plot twists in your work. I'm thinking of Precipice, in particular. Are these twists hard to formulate?
The most difficult thing about writing is writing. I'm not being facetious--there's nothing tougher than getting "the seat of the pants in the seat of the chair." Computers help a lot. I wrote my first 2 novels in longhand on yellow legal pads, which I then had to transfer to a Smith-Corona portable electric typewriter (remember those?), so the Computer Age did not arrive a moment too soon for me.
I imagine a person, then I put that person in a situation. After that, the rest of the story usually follows. The "twists," as you call them, are my starting point. I love all kinds of mysteries, but my all-time faves are the ones with surprise endings. With my first 2 novels, DANCE OF THE MONGOOSE and PRECIPICE, I started with the central character (a troubled detective in one, a troubled young woman in the other), and St. Thomas (the only place I knew well enough to write about), and a surprise (the identity of the murderer in MONGOOSE and the identity of the young woman in PRECIPICE). The twists weren't hard to formulate, but getting to those twists was a bitch. I mean, the plot that gets us from page 1 to that surprise ending. For me, that's the hard part.
8. What are you working on now?
I have a manuscript making the rounds of publishers, and I'm writing a new novel. They're both romantic suspense thrillers with surprise endings. I also write short stories occasionally--I just had one in the March/April 2012 issue of Ellery Queen Mystery Magazine.
9. I understand you have a pen name. If you don't mind, could you share a bit about that?
I wrote 2 detective novels, DANCE OF THE MONGOOSE and its sequel, WOMAN IN THE DARK. My first publisher had just put out PRECIPICE and VALENTINE, and they asked me to put a pseudonym on the detective stories for my second publisher so there wouldn't be confusion in the marketplace. I initialized my first and middle names (Thomas Joseph) and added my actual birth surname (Savage is my mother's maiden name--looong story). That's how I became "T. J. Phillips," but it was only for those 2 books.
10. You are something of an enigma to your fans. Many thought you had "dropped off the map" when they tried to find out more about what you were writing these days. They've missed you, and that led to this interview. If you don't mind my asking, were you still actively writing during the last few years, or did other pursuits take up your time?
I'm glad people have missed me, I'm very grateful for that. Yes, I've been writing, but no, I wasn't publishing. I had a string of misfortunes that led me to retire from the world for a few years. I lost my mom in 2003 (old age), then my sister Suzy a year later (breast cancer). Meanwhile, Murder Ink, where I'd been working for almost 20 years, was struggling to survive against a B&N superstore that moved in down the street and a landlord who kept raising the rent. We lost the battle in 2006, closing our doors forever, so I was out of a day job. Then my original agent and I parted ways after 15 years. And that's all in addition to some personal stuff I'd rather not talk about, except to sing a rousing chorus of "I'll Never Fall In Love Again." So for a while, I sat around my apartment in a bathrobe, writing but not publishing. Then some writer friends here in NYC dragged me out of my house and forced me to join their writing group.They wouldn't take no for an answer, and I found that I liked the company. But if I wanted to hang out with them, I had to read something to them, which meant I had to write something. So, I wrote some more. I now have 5 novels (all Gothic suspense thrillers) sitting in my computer, and I have a new agent.
11. What's next for you?
Getting those 5 new novels out of my computer and into print. That's the plan, anyway. It's a very tough market out there right now, but my new agent is doing her best, and I live in hope. And I'm preparing my backlist titles for their e-book debuts, so PRECIPICE, VALENTINE, THE INHERITANCE, and SCAVENGER should soon be available as downloads.
12. When you're not plotting your next mystery/suspense, what other hobbies do you enjoy?
My writing group, my Friday Night Club (a gang that gets together every week for dinner and Trivial Pursuit), reading mysteries (I'm currently in the middle of STAY CLOSE by my friend Harlan Coben, and I just reread THE SNARE OF THE HUNTER by Helen MacInnes), and my big passion, collecting DVDs of my favorite films (I now own the complete works of Alfred Hitchcock).
13. How can fans contact you?
http://tomsavagebooks.com/
A Facebook page is forthcoming, too.
Tom's books on Amazon (they are also at other retailers):
http://www.amazon.com/Precipice-ebook/dp/B00A3KHPSC/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1352471826&sr=1-1
http://www.amazon.com/Valentine-ebook/dp/B00A2SZ2V2/ref=sr_1_2?s=digital-text&ie=UTF8&qid=1352485584&sr=1-2
**If you'd like to win an e-book copy of either Precipice or Valentine, leave a comment in the post or share it on Twitter or Facebook and let me know you did! I'll enter you once for each comment or share. The contest ends November 20th at 11:59 PM CST.
Tuesday, October 16, 2012
Quickie Review: Broken Harbor by Tana French
It's been way too long since I've posted a review. I recently read Broken Harbor by Tana French. The Kindle edition is pretty steep, but I was lucky enough to find the hardcover in my library.
This book is a mix of Gothic atmosphere and police procedural, so that's my disclaimer. It's not a gothic romance, but boy, did it creep me out more than once. A spooky house by the sea, a stalker, an animal roaming the house (or is it?) and a murdered family/double suicide (I won't tell) are just some of the elements that made me look over my shoulder after reading a chapter. As with French's other books, I finished this one in just a few days. So, set aside some reading time if you pick it up and find you like it after the first chapter or so.
French is known for going deep with characterization and for adding a twist to the plot. She got me with this one. I didn't see the ending coming. Let me know how you like it if you pick it up. :) If you enjoy it, may I suggest The Likeness, too? It is gothic romance and police procedural, and I adore it.
This book is a mix of Gothic atmosphere and police procedural, so that's my disclaimer. It's not a gothic romance, but boy, did it creep me out more than once. A spooky house by the sea, a stalker, an animal roaming the house (or is it?) and a murdered family/double suicide (I won't tell) are just some of the elements that made me look over my shoulder after reading a chapter. As with French's other books, I finished this one in just a few days. So, set aside some reading time if you pick it up and find you like it after the first chapter or so.
French is known for going deep with characterization and for adding a twist to the plot. She got me with this one. I didn't see the ending coming. Let me know how you like it if you pick it up. :) If you enjoy it, may I suggest The Likeness, too? It is gothic romance and police procedural, and I adore it.
Sunday, October 7, 2012
Contest Winner
Tara won the free kindle books! :) Thanks to everyone who entered here and on Facebook. I'll have another contest later this month.
Saturday, September 29, 2012
Load Your Kindle with Gothic Romance...on Me!
Hi, all. Whew. September is flying by! I've been busy, but it's a good kind of busy. Sorry I haven't been reviewing many books and the like lately. I have one or two on the burner to get to in the next couple weeks. For now, though, I'll run another contest. This contest will be for one or more Kindle gothic romances/romantic suspenses of your choice to total $10 or less!
All you have to do to enter is tell me what you're reading this month, how you're liking it, etc.
You can comment here to enter, and I'll also count likes and shares on or for the Gothicked Blog facebook page as entries! Hope your autumn is nice and spooky so far.
I'm going to be curling up with Tana French's latest release later tonight, Broken Harbor. The Gothic elements were noted by reviewers, and I can't wait to get to them! I'm a huge fan of French's work as modern Gothic, especially The Likeness. It's a sort of rewriting of Donna Tartt's The Secret History, and oh, my! It's a delicious Gothic/police procedural/mystery.
Anyway, that's it for tonight. The contest ends on October 5th, so enter now! There are more giveaways to come before Halloween. Thanks for reading. :)
All you have to do to enter is tell me what you're reading this month, how you're liking it, etc.
You can comment here to enter, and I'll also count likes and shares on or for the Gothicked Blog facebook page as entries! Hope your autumn is nice and spooky so far.
I'm going to be curling up with Tana French's latest release later tonight, Broken Harbor. The Gothic elements were noted by reviewers, and I can't wait to get to them! I'm a huge fan of French's work as modern Gothic, especially The Likeness. It's a sort of rewriting of Donna Tartt's The Secret History, and oh, my! It's a delicious Gothic/police procedural/mystery.
Anyway, that's it for tonight. The contest ends on October 5th, so enter now! There are more giveaways to come before Halloween. Thanks for reading. :)
Tuesday, August 28, 2012
Winner of the Gothicked Contest
The winner of the Gothicked Giveaway is Michelle! Please send me an email lisalgreer at yahoo dot com and I'll get your books to you.
We'll have another contest soon. Thanks to all who entered!
We'll have another contest soon. Thanks to all who entered!
Tuesday, August 21, 2012
I Can't Wait for Autumn Giveaway
Hi, folks! It's been a bit since I've blogged. School is back in here, and I'm getting my fall and winter schedule fixed up. My mind always turns to gothic romance (it's usually there but my imagination is stirred even more this time of year) in autumn with Halloween on the way and the bleak days of winter coming, too.
So, I think it's the perfect time for a random paperback gothic romance giveaway. I have a few lying around that I think you'll enjoy. I'll send them your way if you win! Just leave a comment (here or on the Facebook Gothicked page under the link) about how fall and winter are the season of Gothic and gothic romance (or if you disagree, tell me why!), and you'll be entered to win. The contest ends August 24th at 12pm CST. I'll draw a winner from those who comment.
Thanks, and get ready to cozy up to some shiver worthy reads. ;)
(This image is a book cover by MayArt, Inc., soon to grace a novel from yours truly. ;)
So, I think it's the perfect time for a random paperback gothic romance giveaway. I have a few lying around that I think you'll enjoy. I'll send them your way if you win! Just leave a comment (here or on the Facebook Gothicked page under the link) about how fall and winter are the season of Gothic and gothic romance (or if you disagree, tell me why!), and you'll be entered to win. The contest ends August 24th at 12pm CST. I'll draw a winner from those who comment.
Thanks, and get ready to cozy up to some shiver worthy reads. ;)
(This image is a book cover by MayArt, Inc., soon to grace a novel from yours truly. ;)
Tuesday, July 31, 2012
Welcome Author of Classic Gothic Romantic Suspense: Janis Flores
I am so thrilled to have Janis Flores here today at Gothicked. She is an author of classic gothic romances, and she's going to talk a bit about her work and the genre as well as her new novel.
First: thank you, Lisa, for
giving me this opportunity to write about one of my favorite genres.
The first book I wrote was a
Gothic romantic suspense called HAWKSHEAD. I wrote it because I was
really into Gothics at the time and thought: I could do this! So I
started writing and couldn’t stop. HAWKSHEAD was the result.
Gothics—those set in the
late 1880s—are still my favorites. I love that time
period—beautiful women in long dresses (although I wouldn’t want
to live then—just the thought of tight corsets and
all those petticoats, not to mention the dozens of buttons on both
dresses and shoes—makes me shudder), with the men in top
hats and dinner jackets, or jodhpurs and polished boots. Oh, so
romantic!
I also love the idea of
fancy carriages and high-stepping, matched horses. And the manners!
No matter what was going on inside or underneath, people were so
polite to each other. (Well, the “upper crust” was; those
who had to work for a living didn’t have the time or energy to
watch their manners).
No matter in which genre I
write, my heroes are always tall and handsome, with lean bodies and
strong jaws, and of course those smoldering eyes hiding dark
secrets—including how they got that facial scar that makes them
even more mysterious! They’re always the brooding type, so
well-dressed, with those impeccable manners.
And my heroines are always
“feisty” (although I dislike that particular word and prefer
“fiery”), their tempers matching their long auburn hair and their
green eyes flashing when they’re angry—until the hero tips her
head up to kiss her.
Another reason I like that
time period is that heroes and heroines waited for intimacy. I
believe that a stolen kiss, a touch, a whispered word heightens the
anticipation for both them and the reader. And when the time
comes—usually off stage, or even beyond the end of the book, they
don’t have sex, they make love.
I haven’t written Gothics
for a while. I left that genre for historical romance, then family
saga, and finally for contemporary mainstream, which I write now. The
pace of the contemporary story is faster because our real lives are
faster. At some point maybe I’ll go back to writing Gothics—at
least one or two. Like the characters and the time period, I can slow
down a little and luxuriate in writing a story that has clouds
covering the moon, and dark shapes that whisper in the night, and a
heroine—always a heroine—roaming the shadowed castle while
carrying a candle whose light blows out just when the villain is
about to be revealed. What fun!
I can’t leave without
mentioning my newest book—an ebook called Sweeter Than Wine,
published by Musa Publishing, Sweeter Than Wine
It’s not a
Gothic, although Jake is the brooding type, haunted by a past
he can’t forget as he throws himself into dangerous search and
rescues with his gallant search dog, Mano. And Terra is
feisty, haunted by a past she can’t remember as she tries to rescue
her family’s nearly 100-year-old winery from bankruptcy. The two
come together when it becomes clear that someone doesn’t want her
to succeed. Someone with… murder in mind.
Meanwhile, I wish you good
reading whatever type of book you choose.
Friday, June 29, 2012
Day of Demons: A Review by Author T. James
DAY OF DEMONS:
A REVIEW BY T. JAMES
A note on impartiality: wearing
my reviewer’s hat, I feel it is only fair to state upfront that the
editor of Day Of Demons, Colin F. Barnes, is a friend of mine,
as is Krista Walsh, author of Serpent’s Kiss. I will leave
you, the reader, to decide whether I am guilty of vapid gooey-eyed
adulation or whether I maintain an acceptable level of dispassion and
therefore credibility in the review below.
THE BOOK: DAY OF DEMONS
This is a collection of nine short
stories by male and female authors. The title may give the impression
that the stories are very similar—in common they do have a dark
tone and, obviously, demons—but the synopsis is accurate and there
is a refreshing range of genre, theme and writing style to be found.
THE SYNOPSIS (taken from the
Anachron
Press Website*)
“Day of Demons is a collection of
powerful stories featuring the conflict of demons and humans over the
course of a day.
Read how one woman’s inner-self
awakens to unexpected and frightening consequences, or how a
charismatic half-breed thief is forced to strike a deal with a
pen-stealing imp. Read about a mother as she struggles to cope with a
deadly, satanic bargain, and a sword-wielding anti-hero as he returns
out of exile to face his demonic fate.
Nine stories, nine demons, nine
authors. From fantasy, to horror, to contemporary fiction, this
anthology will fright, delight and grip you with tales of daring-do,
danger and of course — demons.”
THE REVIEW
Deal, by Karen Davies
The anthology starts with a light
fantasy action / adventure feel. A thief takes refuge from his
pursuer in some ancient ruins, but he finds he isn’t the only being
inside—he meets an imp who is a tormentor of scribes and a
collector of quills. This short has some good characterisation and
snappy dialogue that held my interest. The twist at the end is well
executed.
Inheritance, by Phil
Hickes
Stark and atmospheric; a son returns to
his families’ mouldering estate after reading his deceased
grandfather’s letter. Posthumously, his grandfather fills him in on
the history of the estate and the onerous duty that comes with it.
There is an effective dialogue between the dead man, via the letter,
and the grandson as he reads it—the clash of mystical olde-worlde
values and self-assured new world cynicism works well. There are two
likely endings, but the execution of the last scenes keeps the one
the author chose feeling fresh.
Serpent’s Kiss, by
Krista Walsh
This is the hottest of the demon
stories, with a believable chemistry between the two ‘romantic’
protagonists. It is well written with an economic fluid style, and
the sexual tension is built with enough skill that the writing
doesn’t need to be explicit to hold the reader’s interest—an
effective and enjoyable update of the succubus myth.
Sam & The Spear,
by Gary Bonn
This one stands out from the others as
its style is very different. A boy, into role-playing, finds himself
thrown into a situation where he must play the hero for real. A
strange mix of dreamscape coupled with an almost YA style of
writing—it is imaginative, but for me, not as well executed as some
of the other stories. The simplicity of the writing and the ending
lends charm—still an enjoyable read.
Numen, by V. Đ.
Griesdoorn
Imaginative, but I found the writing
style difficult in places—the piece is sprinkled with, what were
for me, awkwardly phrased sentences:
“Stacey switched on the overhead
kerosene lamp with a switch near the door.”
The story is stronger—a child grown
to adulthood returning to discover a parental legacy—her deceased
father had a gift for making things. How she pieces together the
mystery is quite intriguing, although some of the physics and the
ending are a little woolly. The midsection works well though—there
is pace there, and engaging ideas throughout.
City of Light and Stone,
by Laura Diamond
One of the most involving protagonists
of the anthology can be found here. An anti-hero tortured and in
thrall to his master, he must murder to escape his damnation. For a
story of this length it is very well characterised and well written.
The premise is imaginative, although I was left feeling a little
unclear as to how the underlying theology works—but that may be due
to the twisted perceptions of the main character. The theme, that we
have more to do with our own damnation than any entity, is nicely
handled—almost an adult Grimm morality tale. A good read.
Cost of Glory, by
Edward Drake
A well-written classic fantasy
anti-hero returns home story. If you could distil any modern fantasy
epic by taking out the travelling and stir in a little Conan, you
would end up with something like Cost of Glory. The ending
wasn’t especially surprising, but the characters, setting, pace and
action are all well handled.
A Mother’s Love, by
James M. Mazzaro
One of the strongest stories of the
nine, it packs an impressive number of twists into its short length.
It is great to read about a female hero who is intelligent and
believable. Willing to pay any price for a child, she decides to play
a demon at his own game. Convincing and well put together.
The Devil and Mrs Milton,
by Sarah Anne Langton
Possibly the most haunting and
memorable, and not just because it is the last. Sarah Anne Langton
demonstrates real artistry as a writer—she isn’t afraid to go off
the beaten track in terms of story or style. We spend most of the
time reminiscing with an old woman, but it is written with enough
skill and flair the experience is engaging, not boring. As the story
closes, with an unavoidable and unwelcome visitor, there is a genuine
sense of tension and concern for the fate of the main character.
OVERALL
This is a disparate collection of short
stories, but because of the strong central theme they sit comfortably
alongside each other. With anything self-published the question of
production quality is often raised—generally I found DoD to
be on par with some traditionally published books. There are some
typos, but not enough to detract from the reading experience. The
quality of the stories varies from fair to excellent, but none are a
waste of your time or money. If you love the smell of sulphur in the
morning and want something brimming with creativity to put a little
fire in your belly, this is probably it.
AVAILABILITY
The eBook is currently
available on Amazon Kindle.
The print edition is now
available from Lulu.
The editor assures me, on pain of his
own death, that the epub version should be available for download
from mid-end July, 2012. Please see the Anachron
Press website for updates.
REVIEWER
T. James (I am now referring to myself
in the third person which seems incredibly pretentious, but this is
apparently how biographical bits are done) is currently a writer of
little renown. While he waits on the sidelines hoping the cool kids
will invite him to the party, he is currently exploring a range of
writing styles and genres. His works in progress are a YA parody and
a satirical writer's guide.
His (more serious) published work can
be found here: http://writerandauthor.com,
and his other misadventures are blogged
here: http://thewordonthe.net.
* All quotes and illustrations are
the copyright © of Anachron Press, and are used
with permission.
Tuesday, June 26, 2012
Interview with Gothic Writer Barrymore Tebbs
I'm thrilled to have author Barrymore
Tebbs on the blog today. It's always a fun and informative day when
he drops by the blog to share his knowledge and experience about all
things Gothic. After you read the interview, check his new release
out--The Haunting at Blackwood Hall. It's a historical gothic
romance, and I think you'll all enjoy it.
Where did your love of Gothic and
writing Gothic start?
I’ve been into Gothic since I was a
kid. I was about ten-years-old when I first saw Dark Shadows. As a
teenager I watched a lot of old horror movies on the weekend Creature
Feature shows. Horror movies were more atmospheric in the
1930s-1960s. From there I went on to read both Gothic Romances as
well as the Gothic Horror classics like Poe and Lovecraft. I always
wanted to write Gothic, but it took thirty years for the stories to
start coming out.
What is Psychological Gothic?
For the past ten years or so, most of
my pleasure reading has been psychological thrillers. I really enjoy
the suspense, the plot twists, and the disturbed individuals who
people the novels of writers like John Connolly and Jeffrey Deaver.
These are the types of books I want to write, and because I have such
a love for the atmosphere and motifs in Gothic fiction and film, I
tried combining the two, and they seem to work well together.
Defining my stories as Psychological Gothic has helped me carve out a
unique niche which falls somewhere between Gothic Romance and Gothic
Horror.
Where did you come up with the
characters and ideas for The Haunting at Blackwood Hall?
The main characters, the Fenn siblings,
the psychic Luna Summerhill, and the governess, were holdovers from a
NaNoWriMo project I did a few years ago. When Lisa and I met while
finishing the first drafts of our first novels (Magnolian and Night
of the Pentagram) we spent a lot of time talking about all things
Gothic. She has this master list of tropes on her Gothicked blog, and
when I decided to try write a Gothic Romance like the ones popular in
the 60s and 70s, I pulled out every trope I wanted to explore and
used those existing characters to form the basis of what became The
Haunting at Blackwood Hall.
Your books are generally set in the
Victorian/Edwardian era or the 1960s. Do you have an affinity for
those time periods and why?
The love for the Victorian era goes
back to my love for old Gothic horror movies and Dark Shadows, but
I’ve also had enough interest in that era throughout my life that
when it came time to research, I was like a hog in mud. I have some
fun books filled with facts about Victorian life.
As far as the 1960s, I was
eleven-years-old in 1970, so I was just coming into consciousness as
a young adult and the events of the late 60s have had a lasting
effect on me. There seems to be a lot of nostalgia for that era, both
through Classic Rock and also with the popularity of the TV show Mad
Men which takes viewers on a tour of the fashions, politics, and
social mores of the time. I have another Edwardian story and another
1960s set story coming out toward the end of this year.
There is a lot of drug use in your
books. Why is that?
Don’t they always tell us to write
what we know about? All kidding aside, drug abuse has been around
since the dawn of time, and people with deep psychological issues are
often driven to addictions of various kinds. The LSD and pot smoking
was essential for a story like The Yellow Scarf to be true to the
characters and the era, but I think the opium use in The Haunting at
Blackwood Hall is one element that takes that story to a level which
wasn’t possible in the books published fifty some years ago.
The Haunting at Blackwood Hall has a
striking cover. How did you create it and some of your other book
covers?
The image on the cover is a rendering
of a 3D model I built in a modeling program called Bryce. It’s
based on a house called Barrington Court in England, which reminded
me of that type of old baronial hall that you see in The Hound of the
Baskervilles movies. I made the inverted Hollywood star for the cover
of Night of the Pentagram while I was writing the book, and had no
idea that I would eventually self-publish and use the cover. I took a
community college class in Adobe PhotoShop about fourteen years ago,
and know quite a few tricks. It comes in handy, and saves money from
having to hire a cover artist!
Thanks for letting me stop by, Lisa. We
always have fun shooting the breeze about Gothic in its many forms.
Through independently published books, there is a noticeable
reemergence of Gothic based fiction. It’s a good time to be a
Gothic writer!
Wednesday, June 6, 2012
Quickie Review: Sister Sister
Well, as usual, I'm falling behind on my post a quickie review every week--at least--or something like that goal. Too much to do and too little time. I've been editing like a madwoman on my Montmoors historical gothic romance series, and it's well worth it.
I thought I'd take a little break and watch a movie, Sister Sister, starring Jennifer Jason Leigh among others.
It promised gothic romance at a spooky Louisiana plantation turned bed and breakfast owned by two sisters--Charlotte and Lucy Bonnard--with secrets to protect. Lucy has been deemed "crazy" by the older sister, but all the guys want her from the handyman, Etienne LeViolette, to congressman/guest Matt Rutledge. I liked the atmosphere and the ghost stories around the dining room table, and that kept me watching beyond the first thirty minutes.
Then, about halfway through the movie, the writers gave up the plot and just threw it at my feet. Quite disappointing. As an author, I try not to do that to my readers, and I don't like it when it's done in books and movies. I want to be a bit surprised or at least to be kept wondering. Small twists along the way are good.
In short, I didn't finish the movie once the ending became all too clear. If you don't mind knowing exactly what is going on halfway in, you might try it. For me, the rating is meh as a friend said when I told him I was watching it (Barrymore Tebbs--right again!).
Rating out of 5 stars: 2.5 stars
--For atmosphere, a mean gator that makes an appearance, and a love story I liked.
I thought I'd take a little break and watch a movie, Sister Sister, starring Jennifer Jason Leigh among others.
It promised gothic romance at a spooky Louisiana plantation turned bed and breakfast owned by two sisters--Charlotte and Lucy Bonnard--with secrets to protect. Lucy has been deemed "crazy" by the older sister, but all the guys want her from the handyman, Etienne LeViolette, to congressman/guest Matt Rutledge. I liked the atmosphere and the ghost stories around the dining room table, and that kept me watching beyond the first thirty minutes.
Then, about halfway through the movie, the writers gave up the plot and just threw it at my feet. Quite disappointing. As an author, I try not to do that to my readers, and I don't like it when it's done in books and movies. I want to be a bit surprised or at least to be kept wondering. Small twists along the way are good.
In short, I didn't finish the movie once the ending became all too clear. If you don't mind knowing exactly what is going on halfway in, you might try it. For me, the rating is meh as a friend said when I told him I was watching it (Barrymore Tebbs--right again!).
Rating out of 5 stars: 2.5 stars
--For atmosphere, a mean gator that makes an appearance, and a love story I liked.
Friday, May 18, 2012
Review: Sea of Secrets by Amanda DeWees
It's a pleasure to review Amanda DeWees' debut gothic romance novel, Sea of Secrets. I am tempted to call her Victoria Holt for the thinking person, but her work goes well beyond Holt's scope. This novel is a literary gothic romance which is quite thrilling. If that's not tempting enough, take a look at this gorgeous cover.
Here's the blurb for the novel:
After her brother is killed in the Crimean War, innocent young Oriel Pembroke finds herself alone in the world. Disowned by the cruel father who has always despised her, she has nowhere to turn until she is taken under the wing of a glamorous relative she never knew: the former Duchess of Ellsworth, who has scandalized society by remarrying soon after her first husband’s death. At the opulent seaside estate of Ellsmere, Oriel thinks she has found a safe haven—but the darkly handsome young duke, Herron, believes otherwise. Haunted by the death of his father, he suspects that Ellsmere is sheltering a murderer. Even as Oriel falls in love with the duke, she begins to fear that his grief and suspicion are turning to madness. When dangerous accidents start to befall both Herron and Oriel, however, she realizes that someone may be trying to stop them from discovering the truth about the past. And when her father comes back into her life, she learns that he may hold the answer to the most horrifying secret of all...
Plot/Setting: 4/5--This element has to come first simply because the novel is the tragedy of Hamlet: Prince of Denmark, re-imagined and improved in some ways--at least from certain perspectives. I don't want to give too much away, but it is as good as it sounds. Echoes of Shakespeare's great play abound. From Yorick to a Victorian Hamlet to possible murder, it's all there. The skill of blending these tales makes the novel a good read on one level, but even readers who are basically ignorant of the plot points, characters, and philosophical questions of Hamlet will enjoy the story. Oriel Pembroke finds herself in a terrible situation when she is disowned by her father after her brother's death. Family secrets begin to unravel from that moment on, and she finds herself at Ellsmere with her long dead mother's family.
I have taken off one nitpicky star for a particular plotting aspect of the novel. I find the instances of Herron in Oriel's bedroom sleeping and talking night after night unbelievable or a step too far for the time period and social conventions. I understand why DeWees chose to do this (echoes of Ophelia and all that... the heroine doesn't use the best judgment), but it takes away from the story. This detail stands out to me, perhaps, because I've been edited for my own historical gothic romances in terms of propriety and standard behavior between the sexes. It is my opinion that most young women of this era would have thought more about the seriousness of having a man in one's bedchamber in the 1850s.
As for setting, Ellsmere is spooky and dangerous, but it's the shadowy corners of the human mind that are most frightening. The big questions of life and death are asked, and the answers can be unsettling. Imagery of death abounds with skulls, skeletons, murder and more, and Herron's moodiness is a palpable influence throughout the novel. It lends a dark cast to the whole of it. He's a bit bipolar and 100% Byronic.
The truly great aspect of the novel is that I was still guessing about what Oriel would do, whom she would love nearly until the end. There are several twists, and just knowing the story of Hamlet isn't enough to figure out what's really going to happen, whodunnit, and so on.
Characterization: 4.5/5-- The characters are quite well drawn. Oriel Pembroke is the heroine--a sort of artless Ophelia who still wears her hair in a braid. She is a heroine who grows and changes throughout the novel. Herron, the dark and enigmatic duke, is tortured and oh so handsome of course. Charles, Herron's cousin, plays a nice foil to Herron. I won't give more than that away. The minor characters are well drawn, too.
Literary Elements: 5/5-- From Herron pacing the floors at night to a variation on the "To sleep..." speech from Hamlet, this novel is satisfying on all levels.
Romantic Elements: 4/5-- I find the novel quite romantic. We are sucked into Herron's struggle, fear, and doubt as he questions whether his father was murdered by his uncle Lord Claude and what knowledge his mother, Gwendolyn, Duchess of Ellsworth, had in it. Oriel's doubt and affection is torn between Herron and Charles in a way that reminds me of Mary Stewart's novel, The Ivy Tree. Let me share one passage where Herron is described so you can get a feel for the lush prose in the novel:
Herron stood in the doorway, lounging against the jamb, making no move to come further into the room. Now that he no longer had a shadow over him I could get a true idea of his appearance, and I could not keep myself from staring. He was almost inhumanly beautiful. His face tapered sharply from wide cheekbones, lending his features a faunlike appearance. The fierce angularity of his bones was balanced by his mouth, sweetly curved and generous. Black hair swept in unruly waves, slightly longer than fashion, from a high, clear brow, and eyes whose color shifted brown and gold like sunlight off the drowned leaves in a forest pool were fringed with long, soft lashes; his eyebrows were uncompromising slashes of black. He was surveying the company, those remarkable eyes moving restlessly. The combination of softness and strength in his face was arresting, and I knew I was not the only woman at the table to stare.
Amanda DeWees. Sea of Secrets (1191-1195 and 1188-1191).
Sounds like a hero we'd all like to meet in a dark hallway, doesn't it?
Rating: 4+ stars ****+
Do yourself a favor and run to pick this novel up. It's one of the best historical gothic romances I've read in a long time. I'm looking forward to more from Dr. DeWees.
Sea of Secrets on Amazon. The novel will be just .99 May 19th and 20th (That's tomorrow!). That's a steal for hours of enjoyment and a great gothic romance.
Amanda DeWees' website
Amanda DeWees on Facebook
Here's the blurb for the novel:
After her brother is killed in the Crimean War, innocent young Oriel Pembroke finds herself alone in the world. Disowned by the cruel father who has always despised her, she has nowhere to turn until she is taken under the wing of a glamorous relative she never knew: the former Duchess of Ellsworth, who has scandalized society by remarrying soon after her first husband’s death. At the opulent seaside estate of Ellsmere, Oriel thinks she has found a safe haven—but the darkly handsome young duke, Herron, believes otherwise. Haunted by the death of his father, he suspects that Ellsmere is sheltering a murderer. Even as Oriel falls in love with the duke, she begins to fear that his grief and suspicion are turning to madness. When dangerous accidents start to befall both Herron and Oriel, however, she realizes that someone may be trying to stop them from discovering the truth about the past. And when her father comes back into her life, she learns that he may hold the answer to the most horrifying secret of all...
Plot/Setting: 4/5--This element has to come first simply because the novel is the tragedy of Hamlet: Prince of Denmark, re-imagined and improved in some ways--at least from certain perspectives. I don't want to give too much away, but it is as good as it sounds. Echoes of Shakespeare's great play abound. From Yorick to a Victorian Hamlet to possible murder, it's all there. The skill of blending these tales makes the novel a good read on one level, but even readers who are basically ignorant of the plot points, characters, and philosophical questions of Hamlet will enjoy the story. Oriel Pembroke finds herself in a terrible situation when she is disowned by her father after her brother's death. Family secrets begin to unravel from that moment on, and she finds herself at Ellsmere with her long dead mother's family.
I have taken off one nitpicky star for a particular plotting aspect of the novel. I find the instances of Herron in Oriel's bedroom sleeping and talking night after night unbelievable or a step too far for the time period and social conventions. I understand why DeWees chose to do this (echoes of Ophelia and all that... the heroine doesn't use the best judgment), but it takes away from the story. This detail stands out to me, perhaps, because I've been edited for my own historical gothic romances in terms of propriety and standard behavior between the sexes. It is my opinion that most young women of this era would have thought more about the seriousness of having a man in one's bedchamber in the 1850s.
As for setting, Ellsmere is spooky and dangerous, but it's the shadowy corners of the human mind that are most frightening. The big questions of life and death are asked, and the answers can be unsettling. Imagery of death abounds with skulls, skeletons, murder and more, and Herron's moodiness is a palpable influence throughout the novel. It lends a dark cast to the whole of it. He's a bit bipolar and 100% Byronic.
The truly great aspect of the novel is that I was still guessing about what Oriel would do, whom she would love nearly until the end. There are several twists, and just knowing the story of Hamlet isn't enough to figure out what's really going to happen, whodunnit, and so on.
Characterization: 4.5/5-- The characters are quite well drawn. Oriel Pembroke is the heroine--a sort of artless Ophelia who still wears her hair in a braid. She is a heroine who grows and changes throughout the novel. Herron, the dark and enigmatic duke, is tortured and oh so handsome of course. Charles, Herron's cousin, plays a nice foil to Herron. I won't give more than that away. The minor characters are well drawn, too.
Literary Elements: 5/5-- From Herron pacing the floors at night to a variation on the "To sleep..." speech from Hamlet, this novel is satisfying on all levels.
Romantic Elements: 4/5-- I find the novel quite romantic. We are sucked into Herron's struggle, fear, and doubt as he questions whether his father was murdered by his uncle Lord Claude and what knowledge his mother, Gwendolyn, Duchess of Ellsworth, had in it. Oriel's doubt and affection is torn between Herron and Charles in a way that reminds me of Mary Stewart's novel, The Ivy Tree. Let me share one passage where Herron is described so you can get a feel for the lush prose in the novel:
Herron stood in the doorway, lounging against the jamb, making no move to come further into the room. Now that he no longer had a shadow over him I could get a true idea of his appearance, and I could not keep myself from staring. He was almost inhumanly beautiful. His face tapered sharply from wide cheekbones, lending his features a faunlike appearance. The fierce angularity of his bones was balanced by his mouth, sweetly curved and generous. Black hair swept in unruly waves, slightly longer than fashion, from a high, clear brow, and eyes whose color shifted brown and gold like sunlight off the drowned leaves in a forest pool were fringed with long, soft lashes; his eyebrows were uncompromising slashes of black. He was surveying the company, those remarkable eyes moving restlessly. The combination of softness and strength in his face was arresting, and I knew I was not the only woman at the table to stare.
Amanda DeWees. Sea of Secrets (1191-1195 and 1188-1191).
Sounds like a hero we'd all like to meet in a dark hallway, doesn't it?
Rating: 4+ stars ****+
Do yourself a favor and run to pick this novel up. It's one of the best historical gothic romances I've read in a long time. I'm looking forward to more from Dr. DeWees.
Sea of Secrets on Amazon. The novel will be just .99 May 19th and 20th (That's tomorrow!). That's a steal for hours of enjoyment and a great gothic romance.
Amanda DeWees' website
Amanda DeWees on Facebook
Thursday, May 3, 2012
Quickie Review (YA gothic romance): Liz Botts' The Hidden Door
This was one of my first forays into spooky YA/gothic romance. The cover first caught my eye a while back:
Daphne, Justin, Riva, and Malcolm are looking for the Hidden Door at their school on Halloween night. It's in a building called The Hun which was named after Vlad the Impaler's home. There's a mystery surrounding the door and a stone gargoyle, and meanwhile, a vampire is on the loose, biting and scratching people. To add to all of that, Daphne and Justin have an unresolved past, and she's still crazy about him.
This is a light, fun romp that has some cool Gothic elements and that touches on more adult themes like mental illness. I recommend this one mainly for YA. I think my daughter would enjoy it if she were a bit older. She's eight now, but in a couple years, I think it would be a hit! If you like stories about teens, I think you'll enjoy it, too.
Rating: 4 stars ****
Buy Links: http://www.amazon.com/The-Hidden-Door-Botts-ebook/dp/B005TDRI1W/ref=sr_1_1?ie=UTF8&qid=1336052361&sr=8-1
http://www.astraeapress.com/#ecwid:category=1221951&mode=product&product=6958405
More about Liz Botts: http://www.lizbotts.com
Daphne, Justin, Riva, and Malcolm are looking for the Hidden Door at their school on Halloween night. It's in a building called The Hun which was named after Vlad the Impaler's home. There's a mystery surrounding the door and a stone gargoyle, and meanwhile, a vampire is on the loose, biting and scratching people. To add to all of that, Daphne and Justin have an unresolved past, and she's still crazy about him.
This is a light, fun romp that has some cool Gothic elements and that touches on more adult themes like mental illness. I recommend this one mainly for YA. I think my daughter would enjoy it if she were a bit older. She's eight now, but in a couple years, I think it would be a hit! If you like stories about teens, I think you'll enjoy it, too.
Rating: 4 stars ****
Buy Links: http://www.amazon.com/The-Hidden-Door-Botts-ebook/dp/B005TDRI1W/ref=sr_1_1?ie=UTF8&qid=1336052361&sr=8-1
http://www.astraeapress.com/#ecwid:category=1221951&mode=product&product=6958405
More about Liz Botts: http://www.lizbotts.com
Labels:
Gothic,
Liz Botts,
quickie review,
YA gothic romance
Saturday, April 21, 2012
Barrymore Tebbs' The Yellow Scarf
Isn't this a great cover? The author of The Yellow Scarf and cover artist, Barrymore Tebbs, did it. I love the script and how it sort of ties in with the story; I think it has an Eastern flavor. Once you read it, you'll understand. :)
Here's the blurb for Barrymore Tebbs' The Yellow Scarf:
1969. The Rolling Stones perform a free concert in London’s Hyde Park. Flying high on grass and LSD, Peter, Barnard, Bree, and Tristan rock along with nearly a quarter million people as The Stones make history. With them is Pandora, the once-famous fashion model whose downward spiral into addiction made international headlines, now clinging desperately to the belief that only a power greater than herself can restore her to sanity.
After the concert, these five friends decide to take a weekend jaunt to the country to visit Hampton Close, a crumbling old country house Peter recently inherited from his Great Uncle, Basil Townsend. A former protégé of Aleister Crowley, Basil Townsend was once one of Britain’s most notorious practitioners of the Black Arts.
But inside a locked room at Hampton Close, an ancient evil from a distant land lies festering in the warm, wet darkness, waiting…waiting…waiting…
And my review:
Plot: 5/5-- The novella starts off with a bang and an interesting cast of characters. Tebbs makes London in 1969 come alive. The story moves swiftly to its shudder inducing climax in old Uncle Basil's house. I read it in the afternoon, and I liked it, but I didn't feel frightened. That night... trying to sleep was a different story. It creeped me out, and I couldn't stop thinking about it. So, I didn't sleep too well. I'd call that a great horror story!
Characterization: 4/5-- I adored Peter, the hero of the story if there is one, who is described as a conservative fellow who is trying to shake it off. His friend Barnard is also a well drawn figure with an Afro--the quintessential ladies' man. I thought of Jimi Hendrix. Pandora is a pitiable young woman in recovery from drug addiction. And Bree is the type of not-so-intelligent type of girl you'd expect to find at a spooky old house where things to awry. Finally, there's Tristan, a young man who is at least bi-curious and is in a sort of love triangle with Bree and Barnard. Tebbs highlights the sexual mores of the time with this relationship.
Atmosphere/spooky elements: 5/5-- This story sneaks up on you. At first, it's all acid trips at the Rolling Stones' concert, and then it's sheer revulsion and terror. If you like a good story of the macabre linked to mythology, the occult, and the 1960s, this is your thing.
I'm leaving off romantic elements since this isn't a gothic romance. It is, however, a great psychological Gothic/horror novella. If you like houses with pasts, likable characters, Gothic atmosphere, and a good twist, you'll really enjoy it. 4.5+ stars. Don't miss it!
Here's the buy link at Amazon. For .99 or for borrowing free if you have Amazon Prime. Pick it up if you want to get scared.
http://www.amazon.com/The-Yellow-Scarf-ebook/dp/B007U5S9B0/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1334894222&sr=1-1
**For the sake of full disclosure, I also edited The Yellow Scarf. Be on the lookout for Barrymore Tebbs' upcoming novel, The Haunting of Blackwood Hall. If you like Victoria Holt's work, I think you'll love it.
Find Barrymore on Facebook: Barrymore Tebbs
and at his blog which also reviews and discusses all things Gothic:
http://barrymoretebbs.blogspot.com/
Sunday, April 8, 2012
Review: Evelyn Berckman's The Heir of Starvelings (a novel of innocence and evil)
This novel is an unusual one. I have one of its early covers, courtesy of Barrymore Tebbs:
Gorgeous, huh? And the painting behind the woman sort of goes along with the novel. A painting plays a major role in the plot. I had heard before that Berckman's gothics are worth reading. She is lauded as a hidden gem among gothic romance/romantic suspense novelists. Many say she never got her due. I tend to agree after reading The Heir of Starvelings.
I'm not sure how many gothic romances she wrote, but I ran across this one at a Friends of the Library sale and snagged it. My cover looks like this. I couldn't find another on the Internets. I really like the teeth:
A naive innocent, Davina Milne, winds up at the fabled Starvelings--a ramshackle out of the way estate--one day as she's wandering in the woods. The opening sequence is quite tragic and scary. What she finds there changes her life--a neglected young boy who's more than just a common urchin. He's a lord who has been neglected by the lecherous Lord Stanyon and other household members.
The novel is worth reading for the introductory materials alone. Berckman obviously had a great passion for history and its preservation, and Victorian Era history is the focus of this historical gothic/gothic romance.
Plot: 4/5--I enjoyed the novel. It also had a couple great twists. The story line stands out among the many Gothics I've read, and it haunts me when I think about it.
Characterization: 5/5--Davina is a great heroine--strong and bold. She knows her own mind, and she's full of integrity. It's nice to find a heroine who isn't of the TSTL (too stupid to live) variety. Lord Stanyon, William, and the other characters are so well drawn, they step off the page, and indeed, the story is supposed to be based upon a true one.
Atmosphere/creepy elements: 5/5-- This novel nails the closed, isolated and claustrophobic feeling that a good Gothic has. Starvelings is a nightmare, and it's peopled with pathetic human beings. The villain is also scary in his own special way as is his minion. The true fright of this novel is the reality of the way that some human beings are neglected and forgotten... and left to a living horror of an existence.
Romantic elements: 5/5-- I can't say too much about this, but I loved the two males in the novel. One is a lover who has died in the Crimean War, and the other is a young lawyer who woos Davina.
** 4+ stars. I recommend it. If you're looking for something different that has a happy but wistful ending, you'll love it.
Gorgeous, huh? And the painting behind the woman sort of goes along with the novel. A painting plays a major role in the plot. I had heard before that Berckman's gothics are worth reading. She is lauded as a hidden gem among gothic romance/romantic suspense novelists. Many say she never got her due. I tend to agree after reading The Heir of Starvelings.
I'm not sure how many gothic romances she wrote, but I ran across this one at a Friends of the Library sale and snagged it. My cover looks like this. I couldn't find another on the Internets. I really like the teeth:
A naive innocent, Davina Milne, winds up at the fabled Starvelings--a ramshackle out of the way estate--one day as she's wandering in the woods. The opening sequence is quite tragic and scary. What she finds there changes her life--a neglected young boy who's more than just a common urchin. He's a lord who has been neglected by the lecherous Lord Stanyon and other household members.
The novel is worth reading for the introductory materials alone. Berckman obviously had a great passion for history and its preservation, and Victorian Era history is the focus of this historical gothic/gothic romance.
Plot: 4/5--I enjoyed the novel. It also had a couple great twists. The story line stands out among the many Gothics I've read, and it haunts me when I think about it.
Characterization: 5/5--Davina is a great heroine--strong and bold. She knows her own mind, and she's full of integrity. It's nice to find a heroine who isn't of the TSTL (too stupid to live) variety. Lord Stanyon, William, and the other characters are so well drawn, they step off the page, and indeed, the story is supposed to be based upon a true one.
Atmosphere/creepy elements: 5/5-- This novel nails the closed, isolated and claustrophobic feeling that a good Gothic has. Starvelings is a nightmare, and it's peopled with pathetic human beings. The villain is also scary in his own special way as is his minion. The true fright of this novel is the reality of the way that some human beings are neglected and forgotten... and left to a living horror of an existence.
Romantic elements: 5/5-- I can't say too much about this, but I loved the two males in the novel. One is a lover who has died in the Crimean War, and the other is a young lawyer who woos Davina.
** 4+ stars. I recommend it. If you're looking for something different that has a happy but wistful ending, you'll love it.
Wednesday, March 21, 2012
Part II: Ways to Find New Gothic Romances
This is part two of a requested series. :) My next blog post will be a book review. I promise. I have a couple I have needed to get to for a while.
I think I covered using the subcategories on Amazon last time. This time around, let's talk about a few other tricks.
First, this one seems obvious, but it might not be. Just under the book information, if the book has sold any copies, Amazon adds a section of book covers/pages you can scroll through and click on. I've chosen Holt's Mistress of Mellyn in Book format as my example here. You can see the
There might be an easier way to do this, I'm not sure. Here's how I do it:
1. Type in the name of a favorite author of gothic romance. I've chosen Victoria Holt for an example to stick with what I have above. Keep in mind that some of the older authors are tagged well under Books, so let's use Books for this search. I type her name into the search bar on amazon and pull down the Books tab to the left.
2. Once the list comes up, I pick one of her books I like and click on it. In this case, I've chosen Mistress of Mellyn
3. Once the page comes up for that book, I scroll down to the bottom quarter of the page to the tags section. In this case, there are a few tags like gothic romance, jean plaidy, and cornwall. When I click on the gothic romance tag link, it pulls up several books in that genre (or that the author or readers claim are in that genre). You can add tags as well. Is there a book by one author that reminds you of the work of another author? Tag it with that author's name or agree with an existing tag. :) That will help readers find new authors and weed out tags that are unrelated to the product.
Interestingly, if you check out the tags for the Kindle version of this book, they are all related to the $9.99 price. Apparently, many readers of e-books think that's too much to pay for the digital version of this classic. Your thoughts?
I think I covered using the subcategories on Amazon last time. This time around, let's talk about a few other tricks.
First, this one seems obvious, but it might not be. Just under the book information, if the book has sold any copies, Amazon adds a section of book covers/pages you can scroll through and click on. I've chosen Holt's Mistress of Mellyn in Book format as my example here. You can see the
Customers Who Bought This Item Also Bought
section just under the book. If you scroll through those 11 pages, you are sure to find a new book or two to check out. I did! :)
You'll also notice on this page the section above the tags, a little more than halfway down the page: Customers also bought items by...
This section can be fun to click around in by author name or cover (for some authors listed). You never know: you might find a new author.
This section can be fun to click around in by author name or cover (for some authors listed). You never know: you might find a new author.
Now, on to using tags to find new books:
There might be an easier way to do this, I'm not sure. Here's how I do it:
1. Type in the name of a favorite author of gothic romance. I've chosen Victoria Holt for an example to stick with what I have above. Keep in mind that some of the older authors are tagged well under Books, so let's use Books for this search. I type her name into the search bar on amazon and pull down the Books tab to the left.
2. Once the list comes up, I pick one of her books I like and click on it. In this case, I've chosen Mistress of Mellyn
3. Once the page comes up for that book, I scroll down to the bottom quarter of the page to the tags section. In this case, there are a few tags like gothic romance, jean plaidy, and cornwall. When I click on the gothic romance tag link, it pulls up several books in that genre (or that the author or readers claim are in that genre). You can add tags as well. Is there a book by one author that reminds you of the work of another author? Tag it with that author's name or agree with an existing tag. :) That will help readers find new authors and weed out tags that are unrelated to the product.
Interestingly, if you check out the tags for the Kindle version of this book, they are all related to the $9.99 price. Apparently, many readers of e-books think that's too much to pay for the digital version of this classic. Your thoughts?
Wednesday, February 29, 2012
How to Find More Gothic Romances... Part I
Wow. It's been too long since I last posted. Please forgive me. Life is hopping, but in a good way. :)
I wanted to start a little series on ways to find new gothic romances-- as in contemporary ones or novels/works that might be new to you.
I think starting with Amazon makes sense since they sell a lot of books and most people have Kindles as their e-readers (or maybe you're like me and you just use Kindle for PC!). I'm going to focus on e-books today, but many of the tips for hunting for Kindle editions will work for print, too.
I'm going to write about these as they come to me, so consider this part I. If this trick is a "duh" to you, please forgive. I'm assuming some readers might not be aware of these ways to find new books. If you have other ideas, leave them in the comments.
1. Look under Gothic Romance.
If you know a bit about Amazon, you probably realize that authors or publishers can categorize their books under two areas when they post them to Amazon. I tend to have most of mine put under gothic romance and whatever else is applicable. So, it's easy to go to the Amazon homepage and go to the search pull down. Click Kindle Store there. Then, type in Gothic Romance. One the list comes up, you'll notice that Relevance is next to the "Sort by" list on the upper right hand side. I leave it that way and scroll through. This gives me a list of the top 100 gothic romances. One of mine shows up at #34 today. ;)
When you glance through the list, you'll see a lot of vampire stuff and fantasy. I skip over much of that as I do some of the poorly edited/terribly blurbed ghost stories or gothic romances on there. I know as a writer that if the blurb/description of the book is not up to par (ie, only a line or so that doesn't adequately describe the story as a writer should be able to do or a blurb fraught with mistakes), the book will usually follow suit.
I usually find a gem or two that I'd like to check out in the .99-3.99 range. Here are two I found today.
This one isn't a novel, but it looks fascinating, and I'm going to snag it free:
The Tale of Terror: A Study of Gothic Romance
And this one looks promising for $2.51:
http://www.amazon.com/Nachtst%C3%BCrm-Castle-Gothic-Austen-ebook/dp/B002PK120K/ref=sr_1_10?s=digital-text&ie=UTF8&qid=1330529211&sr=1-10
And a pricier one but pubbed with Dorchester recently:
The Ravencliff Bride
So, that's a start. If you want print, you can search for Books and gothic romance. To be on the safe side, I might hop over to Goodreads and check the reviews for that second one. I'd hesitate on buying it longer than I would taking the freebie. ;) The third one is a bit more than I like to pay for a Kindle edition, but your opinion might vary.
I'll cover something else of this nature in my next post since I'm running out of time this morning. Have you found any good reads using this method?
I wanted to start a little series on ways to find new gothic romances-- as in contemporary ones or novels/works that might be new to you.
I think starting with Amazon makes sense since they sell a lot of books and most people have Kindles as their e-readers (or maybe you're like me and you just use Kindle for PC!). I'm going to focus on e-books today, but many of the tips for hunting for Kindle editions will work for print, too.
I'm going to write about these as they come to me, so consider this part I. If this trick is a "duh" to you, please forgive. I'm assuming some readers might not be aware of these ways to find new books. If you have other ideas, leave them in the comments.
1. Look under Gothic Romance.
If you know a bit about Amazon, you probably realize that authors or publishers can categorize their books under two areas when they post them to Amazon. I tend to have most of mine put under gothic romance and whatever else is applicable. So, it's easy to go to the Amazon homepage and go to the search pull down. Click Kindle Store there. Then, type in Gothic Romance. One the list comes up, you'll notice that Relevance is next to the "Sort by" list on the upper right hand side. I leave it that way and scroll through. This gives me a list of the top 100 gothic romances. One of mine shows up at #34 today. ;)
When you glance through the list, you'll see a lot of vampire stuff and fantasy. I skip over much of that as I do some of the poorly edited/terribly blurbed ghost stories or gothic romances on there. I know as a writer that if the blurb/description of the book is not up to par (ie, only a line or so that doesn't adequately describe the story as a writer should be able to do or a blurb fraught with mistakes), the book will usually follow suit.
I usually find a gem or two that I'd like to check out in the .99-3.99 range. Here are two I found today.
This one isn't a novel, but it looks fascinating, and I'm going to snag it free:
The Tale of Terror: A Study of Gothic Romance
And this one looks promising for $2.51:
http://www.amazon.com/Nachtst%C3%BCrm-Castle-Gothic-Austen-ebook/dp/B002PK120K/ref=sr_1_10?s=digital-text&ie=UTF8&qid=1330529211&sr=1-10
And a pricier one but pubbed with Dorchester recently:
The Ravencliff Bride
So, that's a start. If you want print, you can search for Books and gothic romance. To be on the safe side, I might hop over to Goodreads and check the reviews for that second one. I'd hesitate on buying it longer than I would taking the freebie. ;) The third one is a bit more than I like to pay for a Kindle edition, but your opinion might vary.
I'll cover something else of this nature in my next post since I'm running out of time this morning. Have you found any good reads using this method?
Labels:
finding new gothic romances,
kindle books
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